![](https://freight.cargo.site/t/original/i/d03bca1893ff898d3529f922923c1618eb5de478f714e0d4d2c684c619517bf4/17.jpg)
![](https://freight.cargo.site/t/original/i/009d699f456fd4d8f5a371396dbbc50962e50085910879443bc67c545b15ed02/15.jpg)
![](https://freight.cargo.site/t/original/i/2b8316ade9a643f5c6a57d7d111ee6fd138bef1c6848d1a06ec431104641f042/16.jpg)
Ways of Remembering, 2022
Giclée print on baryta 325 gsm paper;
400 x 600 mm
3 + 1 AP
Exhibition view at CODA in Buraco, 2022
Photo — Photodocumenta
The waves broke and spread their waters swiftly over the shore. One after another they massed themselves and fell; the spray tossed itself back with the energy of their fall. The waves were steeped deep-blue save for a pattern of diamond-pointed light on their backs which rippled as the backs of great horses ripple with muscles as they move. The waves fell; withdrew and fell again, like the thud of a great beast stamping.
Virginia Woolf, The Waves (1931)
Giclée print on baryta 325 gsm paper;
400 x 600 mm
3 + 1 AP
Exhibition view at CODA in Buraco, 2022
Photo — Photodocumenta
The waves broke and spread their waters swiftly over the shore. One after another they massed themselves and fell; the spray tossed itself back with the energy of their fall. The waves were steeped deep-blue save for a pattern of diamond-pointed light on their backs which rippled as the backs of great horses ripple with muscles as they move. The waves fell; withdrew and fell again, like the thud of a great beast stamping.
Virginia Woolf, The Waves (1931)